Saul Bass

Saul Bass was born on May 8, 1920 in Bronx, New York, but moved to Los Angeles in his mid-twenties in order to pursue a career in Graphic Design. He was extraordinarily diverse and talented, where it regarded design, as he worked in both print design and movie animation. Bass was perhaps best known for his design of film posters and title sequences. During his 40-year career Bass worked for some of Hollywood’s greatest filmmakers, including Alfred Hitchcock, Stanley Kubrick, Otto Preminger, Billy Wilder, and Martin Scorsese. He became well-known in the film industry after creating the title sequence for Otto Preminger’s “The Man with the Golden Arm” in 1955.

Screenshot 2015-10-25 15.50.15 Bass, Opening Titles for Psycho (1960), Screenshot, 2015

For Alfred Hitchcock, Bass designed effective and memorable title sequences, inventing a new type of kinetic typography, for “North by Northwest”, “Vertigo” (in collaboration with John Whitney), and “Psycho”. In addition, Bass also designed some of the most iconic corporate logos in North America, including the original AT&T “bell” logo in 1969, as well as their “globe” logo, which came later in 1983. He also designed Continental Airlines’ “jetstream” logo (in 1968) and United Airlines’ “tulip” logo (in 1974), all of which became some of the most recognized logos of the era.

0 Bass, AT&T (Globe logo), Corporate Logo, 1983

In 1955, Elaine Makatura, began to work with Bass; with both getting married working on the opening title sequence to “Spartacus” (1960), and producing mostly collaborative work thereafter. After the birth of their children, Jennifer in 1964 and Jeffrey (in 1964 and 1967, respectively), the Basses concentrated on their family, short films, and title sequences. Their first joint venture into short filmmaking was with promotional films for pavilions at the 1964 World’s Fair, “From Here to There for United Airlines” and “The Searching Eye for Eastman Kodak”. In 1968, the creative couple made the Oscar-winning short film “Why Man Creates”.

Toward the end of his career, Bass was “rediscovered” by James L. Brooks and Martin Scorsese, who urged the Basses to return to main title design. For Scorsese, they created title sequences for “Goodfellas”, “Cape Fear”, “The Age of Innocence”, and “Casino” (done in 1995 and would be their last title sequence and a picture of Bass’ revered and often imitated legacy). In a sense, all modern opening title sequences that introduce the mood or theme of a film are a legacy of the Basses’ work.

Works influenced/inspired by Bass

saul_bass_inspired_hunger_games_poster_by_deathlytriforce-d5iwrr3 Catherine, Saul Bass-inspired Hunger Games Poster, Poster, 2012

SBstraitjacket Rob Kelly, Saul Bass’ Strait Jacket, Poster, 2011

References

Henderson, K. (2012). 20 Graphic Designers You Should Know. Retrieved September 24, 2015, from http://www.complex.com/style/2012/03/20-graphic-designers-you-should-know/15

Saul Bass. Retrieved on October 25, 2015, from http://www.artofthetitle.com/designer/saul-bass/

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s